Tuesday, 28 January 2014

Context

The context of Antony and Cleopatra is business, as so instead of having the three men arguing over land they will have shared in a business. We will also set it in the 1980's because this was an important time for businesses because Margaret Thatcher was pushing the idea so people would make money for themselves.

In terms of colours we will have mainly red, black and white.all the characters will wear black but they will have a coloured accessory to show which side they are on.
Our set will be quite simple with just a desk to show it is an office. We want to show the location changing using a multi media screen.


Posted via Blogaway

Wednesday, 22 January 2014

Character Research

Iras- One of Cleopatra's party- faithful attendant

Agrippa - One of Octavius Caesar’s officers. Agrippa leads the retreat from Antony’s unexpectedly powerful forces

Quotes

IRAS
No, you shall paint when you are old.


IRAS
Am I not an inch of fortune better than she
 
IRAS
Amen. Dear goddess, hear that prayer of the people!
for, as it is a heartbreaking to see a handsome man
loose-wived, so it is a deadly sorrow to behold a
foul knave uncuckolded: therefore, dear Isis, keep
decorum, and fortune him accordingly!


AGRIPPA
To hold you in perpetual amity,
To make you brothers, and to knit your hearts
With an unslipping knot, take Antony
Octavia to his wife; whose beauty claims

Video Clips


Antony and Cleopatra

Mark Antony, one of the three rulers of the Roman Empire, spends his time in Egypt, living a life of decadence and conducting an affair with the country’s beautiful queen, Cleopatra. When a message arrives informing him that his wife, Fulvia, is dead and that Pompey is raising an army to rebel against the triumvirate, Antony decides to return to Rome. In Antony’s absence, Octavius Caesar and Lepidus, his fellow triumvirs, worry about Pompey’s increasing strength. Caesar condemns Antony for neglecting his duties as a statesman and military officer in order to live a decadent life by Cleopatra’s side.
The news of his wife’s death and imminent battle pricks Antony’s sense of duty, and he feels compelled to return to Rome. Upon his arrival, he and Caesar quarrel, while Lepidus ineffectually tries to make peace. Realizing that an alliance is necessary to defeat Pompey, Antony and Caesar agree that Antony will marry Caesar’s sister, Octavia, who will solidify their loyalty to one another. Enobarbus, Antony’s closest friend, predicts to Caesar’s men that, despite the marriage, Antony will surely return to Cleopatra.
In Egypt, Cleopatra learns of Antony’s marriage and flies into a jealous rage. However, when a messenger delivers word that Octavia is plain and unimpressive, Cleopatra becomes confident that she will win Antony back. The triumvirs meet Pompey and settle their differences without going to battle. Pompey agrees to keep peace in exchange for rule over Sicily and Sardinia. That evening, the four men drink to celebrate their truce. One of Pompey’s soldiers discloses to him a plan to assassinate the triumvirs, thereby delivering world power into Pompey’s hands, but Pompey dismisses the scheme as an affront to his honor. Meanwhile, one of Antony’s -generals wins a victory over the kingdom of Parthia.
Antony and Octavia depart for Athens. Once they are gone, Caesar breaks his truce, wages war against Pompey, and defeats him. After using Lepidus’s army to secure a victory, he accuses Lepidus of treason, imprisons him, and confiscates his land and possessions. This news angers Antony, as do the rumors that Caesar has been speaking out against him in public. Octavia pleads with Antony to maintain a peaceful relationship with her brother. Should Antony and Caesar fight, she says, her affections would be painfully divided. Antony dispatches her to Rome on a peace mission, and quickly returns to Egypt and Cleopatra. There, he raises a large army to fight Caesar, and Caesar, incensed over Antony’s treatment of his sister, responds in kind. Caesar commands his army and navy to Egypt. Ignoring all advice to the contrary, Antony elects to fight him at sea, allowing Cleopatra to command a ship despite Enobarbus’s strong objections. Antony’s forces lose the battle when Cleopatra’s ship flees and Antony’s follows, leaving the rest of the fleet vulnerable.
Antony despairs, condemning Cleopatra for leading him into infamy but quickly forgiving her. He and Cleopatra send requests to their conqueror: Antony asks to be allowed to live in Egypt, while Cleopatra asks that her kingdom be passed down to her rightful heirs. Caesar dismisses Antony’s request, but he promises Cleopatra a fair hearing if she betrays her lover. Cleopatra seems to be giving thought to Caesar’s message when Antony barges in, curses her for her treachery, and orders the innocent messenger whipped. When, moments later, Antony forgives Cleopatra, Enobarbus decides that his master is finished and defects to Caesar’s camp.
Antony meets Caesar’s troops in battle and scores an unexpected victory. When he learns of Enobarbus’s desertion, Antony laments his own bad fortune, which he believes has corrupted an honorable man. He sends his friend’s possessions to Caesar’s camp and returns to Cleopatra to celebrate his victory. Enobarbus, undone by shame at his own disloyalty, bows under the weight of his guilt and dies. Another day brings another battle, and once again Antony meets Caesar at sea. As before, the Egyptian fleet proves treacherous; it abandons the fight and leaves Antony to suffer defeat. Convinced that his lover has betrayed him, Antony vows to kill Cleopatra. In order to protect herself, she quarters herself in her monument and sends word that she has committed suicide. Antony, racked with grief, determines to join his queen in the afterlife. He commands one of his attendants to fulfill his promise of unquestioned service and kill him. The attendant kills himself instead. Antony then falls on his own sword, but the wound is not immediately fatal. He is carried to Cleopatra’s monument, where the lovers are reunited briefly before Antony’s death. Caesar takes the queen prisoner, planning to display her in Rome as a testament to the might of his empire, but she learns of his plan and kills herself with the help of several poisonous snakes. Caesar has her buried beside Antony.

Sunday, 5 January 2014

Interpretation

Contemporary Issues
- Sexism, inequality in sport
- Aggression in sport
-Sport and fame
- Modern parenting, single mums of boys 
                                                                      - She's struggling
                                                                      - can't always relate to him
- Money VS love of sport

Themes and Ideas
- Sporting dreams
- Violence
-Family
-Gender Inequality

Character and Motivation
-Character interaction
- Actors
-Key lines
-Psychological
                          -Understanding 
                          - Back story

Dialogue Links to Context
The dialogue uses a lot of Scottish colloquialisms which give the audience an idea of the location of the play. The audience assume it is set in a city in Scotland because of Cameron mentioning crime such as theft, Cameron also talks about drinking. There is a lot f swearing, which often shows competitiveness. The use of slang and swearing has links to lower class which boxing can stereotypically be associated with. 

Set Design

I want my set design to have a similar mood to a boxing ring, so I want the audience to feel as though they are watching a boxing match not a play. I think this would be good because it would mean the audience would have more sympathy with the characters if they don't see them as just actors. 

I want some bright colours particularly on Ajay's clothing during the final fight. I think this would emphasise his "showboating" but also be a kind of irony considering he is the one who brain damages Cameron. 

For levels I want the ring in the centre t be slightly higher than the others as it is where most of the important action will take place. 

For proxemics I want the set to be quite spread out because this will make it easier for the action scenes to be shown clearly while having other action going on as well. 

Challenges

One part I found particularly difficult was trying to perform dialogue clearly while doing quad jumps as the continuous movement jars the way you talk so it is difficult to speak well as you are doing this. I managed to overcome this with practice and I think I spoke clearly enough but it was difficult in rehearsals but I think it would have been more difficult if our quad jumps scene had been longer but luckily ours was quite short. 

Another problem in our group was trying to talk at a normal pace while doing slow motion movement because it is is difficult to not let our voice mimic you movement and speak in slow motion which would have made the scene appear comical which is not what we wanted. 

Group Assessment

I think our group did well because our chair duets scene fitted in with the music and tied in well with the point of the scene, this meant that we could show the point of the scene without having to use dialogue. The other groups found that this was the best part of our performance. Some groups also thought that the dialogue was delivered well during the quad jumps scene. To improve the other groups thought we should speak louder because we could be quite quiet at times and improve synchronisation with the music and with each other during the quad jumps. I agree with thee comments because I thought our quad jumps could use more work as they were added on nearer the end whereas our chair duets were rehearsed a lot more. 

In the other groups my favourite performance was where one group had one person doing a monologue whilst the other two people in the group were doing movement in the background such as sparring and press ups. I thought this was good because it meant there was always something to look at while the monologues were going on because a monologue isn't always the most interesting things to watch so by having other things going on it made the piece more interesting. 


Around By Through

Around By Through is where you have one person, generally standing still, and the other people move around them using their body and you have to make contact. I think this technique is good for close proximity scenes because you have to make contact. I think Around By Through could be used for boxing scenes because it can look very similar to dance and can make a piece flow well. 

We practised this technique in small groups where we just had to manoeuvre around each other and try and come up with versatile ways of using the technique. I found this helpful because as a group we came up with a lot of ideas which we then used when we were in our separate groups so we had a wider selection of ideas for when we actually tried to fit the technique to our scene. 

Group Progression

Our group is progressing well, we have the chair duets memorised well and just need to work on speeding them up so that they fit in with the fast paced music. The movements need to be in time with the music so that our performance looks polished and tidier. Once we have done this we need to add in dialogue because at the moment we only have a movement scene. After this we also need to learn the dialogue so we can perform without scripts as this makes the performance look better. 

Boxer Research

Gerald McClellan was brain damaged. During a fight against Benin McClellan went into a coma. When he woke up he was deaf, blind and brain damaged. A friend of McClellan, Roy Jones, refuses to visit McClellan until he gives up boxing because it is too hard to see what happens when your luck runs out. 

This is similar to Cameron because he is also brain damaged and the boys find it difficult to visit Cameron because the thought of being injured in the same way frightens them. 
Cameron shows the darker side of boxing in a way that does not glamorise it, as many films about boxing do.